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This scroll style plaque was also used as a "blank" for the prayer plaques. It is known the studio recycled this piece, design #296, for additional purposes. Hand painted using Old Coin Gold-24K liquid gold paint, the script reads, "Cybis fine china". The exact issue date and pricing are unknown. It is quite possible it was available only to retailers for in-store marketing. The scroll plaque made from fine china, is 3 3/4" tall.

By the 1960's, collectors were becoming sophisticated and wanted display plaques to compliment private collections. The studio recognized this and made them more widely available. It is uncertain when in the 1960's this model was introduced. The design number and pricing details are yet to be discovered. Measuring 4" tall the white porcelain "Cybis" script is underlined with a banner incised with "PORCELAIN ART".

The studio completely revised the display plaque by the mid 1970's. Maintaining the wedge design but now made entirely from porcelain, the new plaque featured the also newly redesigned Cybis phoenix. Measuring 3 1/2" tall, the new plaque was first listed on the Spring 1975 price list under CYBIS Accessories as design number 800. It was available in white only and priced at $25.

Introduced in 1980 and marketed as part of the Cybis 40th Anniversary celebration, the display plaque was again redesigned with the studio's most recent logo. The phoenix was updated to a vertical position. This new design resulted in what appeared to be a taller plaque. This optical illusion was due to a narrower width. The height was still 3 1/2" tall. Regardless, the studio was promoting a 40th Anniversary. Technically, the first cold cast Papka sculptures produced by Boleslaw were in 1940. (He arrived in the U.S. in 1939 but didn't begin selling sculptures until 1940.) He made wares from fine china during the 1940's. With an incorporation date of 1953 for Cybis, the 40th Anniversary of the studio would not be until 1993, but this was a point of no concern to admiring collectors. The plaque was sold in Parian white only for $25.

In 1982 the studio designed another new display plaque with styling reminiscent of many Cordey china pieces sold during the 1940's. The style was referred to as Cybis in Retrospect. This was a complete reversal from all attempts previously made to distance the Cybis Studio from the Cordey China Company. While Cybis regularly touted itself as "America's Oldest Surviving Porcelain Studio" to have maintained continuous production, it had not been legally established as "Cybis Inc." until 1953. It would seem an effort to control the narrative around the studio's official age was being manipulated with a sudden embrace of a past previously shunned (which belonged to Cordey). It measures 3 1/2" tall at its peak. The retail price was $40 in 1982 but went to $100 by 1990.

A further attempt to shore up the studio's "refreshed" historical timeline was included on the back of the display plaque. It was inscribed with the following statement: Cybis Porcelain Studio established in 1940 by renown artist Boleslaw Cybis continues to maintain its traditional artistry in Trenton, NJ USA. While Boleslaw began producing Papka figures in 1940 and later entered into a business partnership with two Philadelphia investors to start Cordey China Company in 1942, the Cybis studio was not incorporated until 1953. It did not fully shift from production in fine china to porcelain until 1957.
The studio failed to catch the typo on the word "renown" which should have been "renowned". This was corrected on later pieces.

The bisque (Parian white) was introduced by 1990 at a price of $50.

While the first release of this plaque was in Old Coin Gold decoration painted with 24K liquid gold, later versions were released decorated with gold paint which created a satin finish. By the early 1990's it was also offered in color at $75.

This small 2 1/2" display plaque was available to members of the Cybis Collector's Society.

Introduced and sold as a set, the candlesticks were introduced in the early 1950's and retired before 1960. Strongly reflecting the Cordey style, this set was produced during the Cordey era and if not marked Cybis would be easily mistaken as Cordey items.
Pricing information is unavailable.

The studio used a single mold to create a set. Normally, two of the same items are considered a pair when identical and sold together. The studio placed floral decorations on opposite sides creating a left and right candlestick. As can be seen above, the candlestick's sockets are not closed.

This set may have had a complimentary trinket box, tray or other items that may have been part of a larger set. Owners burning candles in these holders should use a bobeche to prevent melting wax from running down through the open socket and filling the hollow units.

Introduced in the early 1950's and retired by 1956 the two were sold as a set. Made from molds from the Holland Mold company hobbyist copies are periodically found.
No pricing data is currently available. Perhaps specific release and retirement dates and pricing for these along with other 1950's items will eventually be uncovered. But for now the general time frame of production is all that is known.
Produced in Stained Glass color (as shown) and likely also in glazed white. This set was retired prior to the release of the mid 1950's merchant's wholesale pricelist as the numbers 239 & 240 were not included.

Variations in the base color and gold trim on hem of angel's robe are known. Also the star over her head has a double line of gold while others are single.
Left angel above is design number 239 while the angel on the right is 240.

As with any decorative arts piece, if the owner should decide to use it for the designed purpose, extra care should be taken to avoid damage. Any candlestick should only be used with a bobeche or candle cup insert to prevent wax from dripping on the candlestick. Since these were sold as household decorative items meant for normal use, few have survived the last 65-70 years.
This set is also found on the Angels page of the Biblical / Religious section.

Produced in Parian white and color the Iris Motif candlesticks were promoted as a pair but sold separately.
Issue / Completed Price
$125 $125 each - color
$95 $95 each - white

Introduced as part of the short lived Heritage Collection, the candlesticks were part of the "accessories" group in the Iris Motif. A footed oval tray and vase were also available as part of the Iris Motif grouping. The vase can be seen below in the Vases section of this page.

The closed sockets are shallow compared to other candlesticks. Candles may require trimming to fit.

The Rose Jar was introduced as an open edition. It was closed just after two years in 1977.
Issue / Completed Price
$95 $95 - color
$75 $75 - white

It was offered only in Parian color and Parian white. No other options were available to collectors during the years the Rose Jar was in production.

No design variations have been noted for the Rose Jar. Only minor color variations have been noted in how dark or how much color was used and can be attributed to the individual artist's style in decorating the piece.

Introduced as an open edition, the Virginia Bluebells jar (along with the Rose Jar) was released as a new item promoted for gift giving. The marketing brochure presented the Heritage collection as "A Gift as memorable as the occasion." The jar was retired by 1987.
Issue / Completed Price
$145 $145

The Ginger Jars were introduced as part of the Heritage Collection. Within a year the two disappeared from price lists indicating they had been retired. By 1993 the smaller jar reappeared listed as Ginger Jar, under "All occasion Gifts" with "varied colors and glazed with gold" priced at $145.
No design or color variations are known to exist among production pieces. However, the later reintroduction of the jar had many color and finish options.

Measurements given in the introductory brochure list the jar as 6" tall. The actual height of the Bluebells jar in this collection is 6 1/4" tall. It is not uncommon for production items to be slightly smaller than the published measurements. These jars seem to be exceptions as they are slightly larger for both sizes.

Also released as an open edition, the larger Pink Roses Ginger Jar was retired at the same time as the Virginia Bluebells jar. At one inch taller than its companion it was priced $30 higher.
Issue / Completed Price
$175 $175

The studio's product line had become increasingly higher priced by the middle 1980's. There was obviously a need to offer quality porcelains at affordable prices for gift giving. These ginger jars were well executed and nicely finished. In spite of being worthy of Cybis branding and priced reasonably, merchants did not believe the jars would appeal to collectors. The jars were priced too high for buyers unfamiliar with Cybis when shopping for gift items. Unfortunately, the jars signaled a move away from art sculpture production and toward giftware products. Orders were few and the jars were quickly retired.

The Roses jar in this collection is 7 1/4" tall. The Roses Jar is seldom seen with no design or color variations having been identified.

This lidded egg vase/jar was introduced as a limited item for the year 1976. It was made for the Bicentennial and retired at year end.
Issue / Completed Price
$110 $110

It would seem the naming of this item was not in line with what the piece actually is. The piece is clearly a lidded jar that "could" be used as a vase, in spite of its small size of just over 4" with the lid removed. The name Lidded Eagle Jar would have been closer to accurate. The "vase" sold quite well during the Bicentennial celebration and is easily found on the secondary market today.

Introduced as a limited edition restricted to 2,500 copies, perhaps less than 50 were sold. The plate collecting craze from the 1960's and 70's had long since waned begging the question why Cybis would release a design such as this so late in the market cycle.
Issue / Completed Price
$275 $295 on the 1999 price list

Bas-relief was added to create the mother-daughter scene for this Spring 1987 release. The styling of their clothing, furniture and setting indicates another era. Perhaps this was a bit out of touch with collector's taste for the late 1980's. In terms of success, this item can only be rated as a failure. Long-term, that fact may benefit any collector holding one of these rarely seen pieces.

The studio recycled the blank used for this plate several times beginning with Cordey fine china items. This Cordey plate is found in many colors with various decals applied on the front and all marked "Hand Painted" on the back. The Cybis Mother's Day plate was the final appearance of this design.

Introduced as the 2nd Edition bas-relief plate The Holy Family debuted in 1989 as part of the Golden Anniversary Biblical Collection. However, the brochure listed it as part of the Special Occasion Gift Collection. Items produced in 1989 carried the 50th anniversary back stamp (applied that year only). The plate was released as an open edition. No marketing material found so far indicates which bas-relief plate was actually the 1st Edition.
Issue / Completed Price
$475 $597 (on the 1999 price list -likely a typo for $595)

By 1993 it seems everything changed. The plate had two new design numbers, 20220 for a color version and 02225 for a version later noted as "embellished with gold". The color version was listed at $475 and the gold version was $25 less at $450. Also the plate's length increased to 11 1/2" from 11 1/4".
The decision to release this plate in the Special Occasion Gifts Collection seemed odd considering it was a Biblical theme. The studio must have recognized this item would not be embraced by the traditional buyers who purchased sculptures but may appeal to those same customers if presented as a gift giving option at Christmas.

Only two secondary market sales are noted over the last 25 years. That seems to indicate this plate was not highly produced. As an open edition there is no way to even guess as to how many may have actually been made. But at such a high price point and at the end of the collector's plate craze this piece was likely sold in very minimal quantities. As most merchants had long since quit selling Cybis, the few copies created were likely purchased directly from the studio onsite or from the studio's online sales efforts.

Introduced as an open edition.
Issue / Completed Price
$475 $595 on the 1999 price list
Released in 1989 for Christmas, no marketing material has been found on this plate so far. With the Holy Family plate having been released earlier in the year as the 2nd edition it is probable this was the 3rd and likely final edition in the bas-relief group of products.
Just as the Mother's Day and Holy Family plates released earlier, the Victorian Santa plate had few sales and is virtually never seen on the secondary market.
No known color or design variations have been noted. This plate does have "Merry Christmas" embossed in gold on the blue ribbons at the top.

This set of two vases was introduced around 1955. The design number 718 had the L & R designator on each to specify Left and Right. The cornucopia design had not been used before.
Issue / Completed Price
Pricing information is currently unavailable

Heavily influenced by the Cordey style, the mantle vases were not produced for more than a couple of years and are considered to be very rare when found. The wide mouth design would have made these vases more practical for use as planters.

The set was likely retired when the Cybis line of products was revamped to remove the floral adornments which had been heavily used and closely identified as Cordey.

The transitional phase of the studio's shift to a modern style is evident in this vase which was likely introduced around 1959.

This unique vase in the Stained Glass finish with Old Coin Gold free-style decorations has a pearl set in the middle of each design.

The stamped Cybis signature was in use, primarily on printed material but found on some production items, from 1950 to 1960. While the stained glass and old coin gold finishes hearken back to the earlier 1950's, the overall design hints at things to come.

This vase with sculpted floral motifs demonstrates the studio's continued transition to matte finishes and a modern design. Likely released around 1960.

Bas-relief had not utilized to any degree by Cybis for these types of decorative service items. This was a fresh design that gave the line a new progressive look.

The Cybis stamp was used to sign this piece also (as was shown on the previous vase). This raises the question if this stamp may have been used for all vases designed and sold during that time. Until additional vases of both the same and different designs are found to confirm, it looks like a strong possibility that this was the case.

The White Vase with Doves was released as an open edition between 1991 and 1993. It was created using the mold for the Black Vase with Ribboned Doves, design number 20857. That vase was introduced in 1988 as part of the new Midnight collection. As a total flop, Midnight was canceled quickly and did not appear on the 1989 pricelist. The White Vase with Doves was the mold's second act. It remained as an active item through the 1999 pricelist and was assigned to the the "All Occasion Gifts" collection.
Issue / Completed Price
$95 $95 on the 1999 pricelist

Black Vase w/Ribboned doves shown above.

No design or color variations are noted beyond the item originally issued in the Midnight collection. The originally stated measurements were 6" tall for the Black Vase. With the introduction of the White Vase that number was increased to 6 1/2" tall. it is possible the size was increased slightly but it seems unlikely the studio would have wasted the time or money to increase the mold size by a half inch. What is likely is the Black Vase was not measured correctly when first documented. The White Vase in this collection measures exactly 6 1/2" tall.

Introduced as part of the very short lived Heritage Collection, the vase was available in both color and white. It was made for one year only and closed due to no orders from retailers.
Issue / Completed Price
$125 $125 (white)
$165 $165 (color)

Vase shown with matching Iris Motif candlesticks. The "Iris Motif" group also consisted of a Footed Oval Tray.
No design or color variations have been seen among items listed on the secondary market.

The inside of the vase is glazed as expected for any functional service item.

The Daisy Vase (shown previously and next) was introduced into the Heritage Collection in 1988 as an open edition. The initial marketing material stated the vase was 5 1/4" tall but that was quickly corrected to 5 1/2" tall on subsequent lists.
With a bisque matte finish on the outside the inside is glazed as would be expected giving the vase practical functionality. The Daisy Vase remained in the studio's list of active items through the 1999 pricelist and was likely available on the previous e-commerce website as well.
Issue / Completed Price
$295 $295


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The Violet Vase was created from the mold used for the Daisy Vase. Violets replaced the daisies and the floral bas-relief design on the back was been painted purple.
This vase has not been documented in Cybis marketing material found to date, so it's not known if it may have been part of a series with others planned to follow or simply an additional design.
No pricing information is available to date but it's probable it was similarly priced to the Daisy Vase.

Released in 1983 as the first of a series of four, this egg was dated 1983 and made during that year only. The limited series of four was introduced so the final edition in 1986 would be released to correspond with the 100th anniversary of the first Faberge egg created in 1886. While each Cybis egg was a unique creation, marketing material stated all four were created in the "tradition of the fabulous Imperial Eggs designed by Faberge". None of the Cybis designed eggs were copies of any Faberge eggs.
This limited series was produced in the studio by employees of Cybis. The later introduction marketed as a "Cybis design" produced by and under an agreement with Franklin Mint should in no way be considered an authentic Cybis sculpture. It was an egg manufactured by Franklin Mint in facilities operated by the Mint and was marketed and sold by Franklin Mint using the Cybis name. It was not part of this or any other Cybis series.
While the eggs were marketed as limited editions, in that production was limited to the declared year only, these were not numbered editions. The studio never released numbers as to how many eggs were produced for the series or per egg. Since the 1983 egg was released first, it is seen often and likely had the largest production. As the series continued, interest seems to have waned and fewer were produced from 1984 through 1986.
Issue / Completed Price
$295 $295

The "original design" of the 1983 egg was created by borrowing the crown from the 1950's House of Gold Madonna. The crown was downsized and flipped upside down as a stand for the egg to sit on. The crown was recycled again as a solo piece for the Cybis Collector's club '96 membership renewal gift.

All eggs in the series were released with (and shipped in) satin lined "elegant gift boxes" as marketing material described. While the gift box made a nice presentation, in the majority of cases, the boxes were lost over time or discarded. The ABSENCE of the original presentation box in no way negatively impacts the resale value of any egg. On the other hand, if the box is desired, the PRESENCE of the original box should not affect the value of any egg by more than a few dollars considering the eggs are selling in the $20-$40 range in 2025- 2026.
There have been no documented color or design variations for the 1983 egg. What has been documented are numerous sales on the secondary market where sculptures are damaged. The stand (or base) is very often separated from the egg. It was attached using a commercial grade bonding agent that looses its adhesiveness and separates over time. Sitting the egg down very gently when handling is the the key to avoiding separation. The slightest bump will be enough to cause damage. If separation occurs, most repairs can be made successfully using any over-the-counter glue to reattach the two pieces. If making a home repair, be sure to:

The second in the series was dated 1984. While released as an open edition, like the first egg, it was limited exclusively to the year of production.
Issue / Completed Price
$325 $345

The flowers (described as violets in the 1984 brochure) and leaves at the top of the egg certainly are much more characteristic of Cybis sculptures. Unfortunately, when damaged is observed it is generally noted on the tips of the flowers.
The egg and base were produced from a single mold as opposed to two separate pieces. This was an improvement over the 1983 egg's design and means separation won't happen unless severe damage occurs.
All eggs produced were marked 1984.

The third in the series of eggs is dated 1985. Also on open edition it had restricted production to the year of release only.
Issue / Completed Price
$365 $365

The brochure released for the eggs introduction states the floral motif is embossed with buttercups and iris with nosegay and ribbons decorating the top.
Each sculpture is dated 1985.
Most often when damage is noted the streaming ribbons hanging from the top have been snapped off. A few cases have been seen where the loops of the ribbon along with parts of the nosegay are missing.

The fourth and final egg in the series had a released timed to commemorate the 100th anniversary of the creation of the first Faberge egg.
Issue P / Completed Price
$365 $365

Old Coin Gold accents were used to highlight the final edition dated 1986. The brochure for the 1986 egg states the floral motif depicts forget-me-nots, said to be a favorite flower of the studio's namesake and founder, Boleslaw Cybis.
This last edition of the series is the most durable design and not seen with damage in secondary market sales photos.
While each egg was shipped in specially designed presentation boxes as previously stated, unless purchasing an egg for a gift, the box is of no value and will not affect long term values which are at historic lows in 2026.

The Wedding Bell was an open edition released during the 1950's, likely in 1957 when the studio was transitioning between production in fine china to porcelain. No bells have been found made from fine china or in any glazed (stained Glass) finishes. The bell was closed in the early 1960's. It was available in color an white only.
Issue / Completed Price
$15 $15 (color)
$10 $10 (white)

The Wedding Bell is one inch smaller than the Christmas Bell which was available during the same time period. Apart from the obvious size difference, the Wedding Bell is easily identified by the blue flowers on each side of the dove. The Christmas Bell is found with red berries in place of the flowers. The hand formed leaves are noticeably a lighter green and finished in matte where the Christmas Bell leaves appear to be glazed.

The clapper inside the 1950's bells was decorative and permanently attached to a loop at the top of the bell. That loop, shown above, is also where the studio elected to mark each bell with the Cybis signature, identifying it as an authentic product. These bells are extremely thin and delicate which likely contributed to a high loss factor over the years and explains why few are seen on the secondary market.

The Christmas Bell, like its smaller counterpart, the Wedding Bell, was issued around 1957 as an open edition made in porcelain. It too was closed in the early 1960's and available in both white and color.
Issue / Completed Price
$18 $18 (color)
$15 $15 (white)

The white edition of the bell is seldom seen. This may be due to fewer orders because of the "unfinished" look of the all white version. The details, particularly of the bird, are lost on this small piece and it is easy to see why most buyers would have opted for the color version when the option was available.

While Cybis publications state the height is 4 1/2" tall, the Christmas bells in this collection measure 4" tall. No design or color variations have been uncovered.

After approximately 20 years of retirement, the Christmas Bell was reintroduced in 1983 with a generic name of "Holiday Bell". This reissue used the same mold of the 1950's bell with a new bas relief on the skirt and a wintry decorative motif. A snowflake flanked by two abstract designs of a "J" and a "Y" deliver the message JOY. The year 1983 is incised on the skirt as shown above.
Issue / Completed Price
$145 $145

The dove atop the bell was totally redesigned as were the holly leaves and berries. These components were individually molded in porcelain and attached during the mounting process. The bells were then fired creating a single porcelain sculpture. They were not glued together. While the studio did use adhesive bonding agents to attach some pieces on complex sculptures, the bells were made using the studio's standard mounting process.
A second version in green was also available but not seen as often. This Christmas Bell had a red ribbon and mistletoe which replaced the holly. It was also dated 1983. The two were a nice set but were sold separately and not marketed as a pair.

The clapper was redesigned to "hang" from the ring in the top of the bell, unlike the 1950's versions where it was permanently attached. These "hanging" clappers easily come loose resulting in loss. This was a poor design and below the bar of expectation of collectors who were accustom to the studio's previous higher standards of quality.
The actual height is 4 1/2" tall
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