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The earliest sculptures released by Cybis were decorated with flowers. Each petal was individually hand formed. Therefore, it's no surprise that Cybis created an entire collection just for flowers. There's no doubt, the Cybis Studio pioneered floral sculptures in the American porcelain arts. While Europeans made impressive floral designs in fine china, Cybis raised the bar by creating sculptures in their own unique formula of porcelain. While subsequent firms following Cybis may be acclaimed for special achievements in the U.S. and the U.K., Cybis was not only first, but set the standards for porcelain floral design. The others simply followed. While the competition was busy trying to catch up by making birds, animals and even Disney characters, Cybis continued to raise the bar by creating captivating works that remained entirely made of porcelain. Meanwhile, the competition resorted to inserting metal rods and wire "coated with porcelain" in various attempts to meet the beauty Cybis had already accomplished years before. While inferior products made using such materials are today cracking and peeling, the pure porcelain works produced by Cybis are still delighting third and fourth generation collectors and are as beautiful as they were the day they left the studio in Trenton.
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Introduced in 1961 as a limited edition restricted to 100 copies, the Golden Clarion was completed in 1970. It was available only in Parian color. No design or color variations have been found.
The earliest sculptures were signed and numbered on the bottom (as shown next). Later editions would be attached to a wooden base and then signed and numbered on the back of the sculpture.
Issue / Completed Price
$250 $250
Introduced as on open edition, the magnolia was produced in Parian color and white. Some time after introduction a wooden base was introduced and shipped with all orders. Bases were later discontinued in 1975.
The Parian white was made from 1963 to 1965.
Issue / Completed Price
$45 $45 white in 1965
$67 $310 color in 1979
The earliest design did not look like a magnolia. The actual flower was quickly redesigned within the first year. The only "pink toned" versions are found in the design shown above with sharper pointed petals.
Round blunt end stamen used on later sculptures through the 1970's.
Flat "shaved' shaped stamen used in the early 1970's.
Elongated sharp end stamen used in 1960's.
The magnolia flower sits on a designed branch which was recycled for use on several other Cybis sculptures.
Introduced as a limited edition restricted to 350 copies, Dahlia was completed in 1968.
The Dahlia was assembled from over 100 separate components and fired to create one single piece of porcelain. No design variations have been found. Due to the fact each piece is hand assembled, no two pieces are alike and some Dahlia sculptures are very different in structure.
Produced in Parian color only. While the primary color sold was in yellow, the less often seen pink Dahlia was also available.
Issue / Completed Price
$450 $500
Introduced as a limited edition restricted to a declared issue of 500, Narcissus was completed in 1973. Narcissus has no known design or color variations.
Like the Calla and Iris, the Narcissus stems are attached to a round porcelain base designed to sit inside a felt covered socket in a wood base. To secure the sculpture inside the wood base, a cork ring lines the socket to provide a snug fit when the sculpture is inserted. Contrary to some statements, the porcelain sculptures were never glued into the sockets of the wood base. If a sculpture is found "glued" in place, it was done by an owner and not shipped that way from the studio.
Issue / Completed Price
$350 $350
The image above shows the Narcissus and the wood base shipped from Cybis.
The Iris was released as a limited edition restricted to 250 copies and was completed in 1970. The Iris was part of the grand display seen entering the Cybis gallery of the 1964 World's Fair in New York City.
Issue / Completed Price
$500 $500
Each sculpture was assembled from dozens of individually formed components. Once complete, the firing process caused each sculpture to "bloom" into a unique display. The positions of leaves and flowers vary to some degree on every piece. These minor differences should not be considered design variations.
The Iris, like the Narcissus and Calla lily, sits inside a felt covered wood base. This base compliments the sculpture while providing a secure wider base to prevent it from tipping over. Unfortunately, many of the Iris pieces offered on the secondary market have been sold without the wood base.
While no design variations have been found among production items, the original marketing photo shows a prototype with two flowers. All items sold on the secondary market are found with three flowers. It is possible the first few produced had only two. The pink Iris shown here is #17, so if a two flower version was sold it was in very limited quantities, perhaps as few as five or six.
The Iris, like the Dahlia, was released in yellow and pink. It is not known how many of each were produced.
The individual measurements vary per sculpture. Measurements were always taken with the wood base. The offiicial height was 16 1/2" but the copye shown measures 17".
Introduced as a limited edition restricted to 500 copies, Calla was completed in 1974.
Issue / Completed Price
$750 $750
There are no known design variations but minor color variations are noted in the leaves. Some leaves will be bright with heavier veining while others are darker green. This is likely due to the individual artist's style and technique as each decorator mixed his/her own paint on a daily basis.
The Calla lily was produced only with white flowers.
Introduced as a limited edition restricted to 700 copies the edition size was reduced to half (350) and closed in four years. Dutch Crocus was closed in 1974.
Issue / Completed Price
$550 $650
The approach the studio took with this sculpture was unusual compared to other items released. Rather than announcing an edition limit for each color, only one edition size was announced for the two colors. Initially 700 copies would be made for either blue or yellow. This was a more flexible approach allowing merchants to order colors preferred by their clients. Clearly neither color did well as this overpriced smaller sculpture was a slow seller. The studio never released how many of either color were sold.
For Dutch Crocus the there have been no design variations noted. Obviously, the sculpture was released in two colors, yellow and purple. While the name Blue Enchantress implies the expected color should be blue, it is actually purple. Golden Goblet, the name assigned for the yellow version has been found in minor color variations ranging from dark yellow to nearly white with just a hint of yellow shading.
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Introduced as a limited edition restricted to 1,000 copies, China Maid (in yellow) was completed in 1974. The full name is China Maid with Butterfly. Crinoline Lady (in purple) was released the following year in 1975 also with an edition restricted to 1,000. The purple version closed in 1981 without selling the entire declared issue. No design or significant color variations are noted.
Issue / Completed Price
$275 $275 yellow
$295 $395 purple
The first edition in yellow was extremely popular with the entire edition of 1,000 fully subscribed and closed in just two years. The purple edition did not do as well. It was reduced to 750 copies in 1980 and finally 600 copies in 1981 due to sluggish sales.
Each sculpture was mounted on a wood base using a toggle bolt. Items found with no base should be considered damaged and priced accordingly. Other damage periodically noted on these sculptures will be the absence of the butterfly.
Introduced as a limited edition restricted to 500 copies, the Christmas Rose was completed in 1970. Originally named Christmas Rose (Helleborus Niger) the name was soon shortened dropping the Latin name in parenthesis. The studio had not previously used the Latin names for floral sculptures so this was a bit unusual. Perhaps it was thought initially it was necessary since there is a Helleborus Orientalis.
Issue / Completed Price
$250 $300
The original marketing photo that appeared in the 1965 catalog and brochure has the rose staged outside in the snow. It is likely a prototype that was photographed as the example pictured has very shaggy looking stamen. None have been found like this. The example pictured previously (and next) show sculpture #2 indicating it was produced in the first run. The initial run had long, slender stamen but this would be changed again soon after that run was created.
Measurements on any sculpture can vary widely. In the picture shown above, the earlier edition had the top flower drooping a bit when fired. While this looks completely natural, it was not quite the same look as others which did not droop. The earlier copy is marked #2 while the later copy is #441. Sculpture #2 measures 6 3/4" tall, while #441 is 7 1/2" tall. These measurements include the wood base which came attached to all sculptures. The Christmas Rose has no known significant color variations. The design variations are all related to the stamen as shown in the three examples below.
The stamen as seen on the prototype would have been extremely labor intensive slowing the mounting process significantly.
The sculptures released in the first run saw a significantly reduced amount of stamen. While faster to produce, they aren't quite right when compared to the real flower.
In an attempt to make the stamen look closer to the real thing and even quicker to assemble the third and final stamen version is most commonly found.
Most commonly found sculpture.
Mounted on wood base.