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Older Cybis sculptures are often found in more than one size, finish or color. The studio had a variety of options for most items. According to a printed advertisement in the late 1950's Cybis described their finishes as:
"Parian white is a translucent marble-like body from which all Cybis art pieces are sculpted. Stained Glass Porcelain is fired again and again to bring out the hushed splendor of its softly glowing color. Cypia is a rendition bringing out the muted Sepia tones of a Rembrandt."
In the top picture, a variety of finishes are illustrated.
From the left front row is seen:
Parian-white
Parian-color
Parian-white with color on the base
Parian-Cypia
From the left second row is seen:
Stained Glass-white
Stained Glass-Color
Stained Glass-Cypia
A simple way to understand the surface finishes is to think of white (glazed and bisque), color (glazed and bisque) and sepia (as "earthen" brown tones).
Introductions during the early years of the studio were often available in every finish offered. By the mid 1950's the Stained Glass (glazed) finish was slowly retired during the transition from china to porcelain. While a few items were still in production with glazed finishes, most were matte bisque by the early 1960's. Gone were shiny surfaces as the studio's production was streamlined to offer color bisque on all sculptures with a few pieces offered also in Parian white. While all-white items resulted in faster production with lower costs, orders were not strong enough to justify continuing the white bisque finish on a wide selection of sculptures. The option was all but phased out by 1970, with the exception of a few new introductions during the 1980's. Parian white sculptures were perceived by some collectors as having an "unfinished" look. However, when displayed together as a unique collection, they present a very stark and striking contrast to the rest of the Cybis finishes.
Select sculptures in the Children to Cherish, Birds & Flowers and Other Decorative Items collections were sold in the Parian white finish. The same items were available in color as well. This option was widely discontinued by the mid to late 1960's, but a few sculptures were introduced in both white and color through the 1980's with a new special collection titled Classical Impressions offered in Parian white only.
Madonnas are often found in Parian white or color and Stained Glass (glazed) white or color. The modern style Flight Into Egypt, introduced in 1960, is the only sculpture of Mary available only in all white. No color version was offered.
Numerous angels were produced in Parian white. The Stained Glass white (glazed finish) is also found, but far less frequently.
The studio released several Cybis Name Plaques. These are often erroneously referred to as "Dealer Plaques", as it is assumed they were produced exclusively for merchants selling Cybis to use for retail display purposes. This is not the case as the studio exclusively marketed them to collectors to compliment their collections. The overwhelming majority sold were Parian white. While the earliest known design was Parian white porcelain script mounted on a wooden base, most designs were all porcelain in bas relief. A few examples have been found with color highlights and later versions had Old Coin Gold accents or glazed letters.
Wooden bases were used for Parian white sculptures just as they were used for other finishes. While some were attached to the base, others had felt bottoms (or attached felt tabs) and sat on the base without being permanently attached. Those not permanently attached are usually offered for sale missing the base.
Cybis sculptures were always signed/marked with the Cybis hallmark/logo. According to studio publications, all items were marked Cybis. This may be confusing as pieces have turned up with no identifying mark. This is due to the studio's brief use of stickers marked Cybis in the 1950's. These stickers were often removed or became detached over time. Parian white sculptures were marked the same as all other finishes.
Finishes in rich earthen tones created warm, deeply reflective surfaces that conveyed serenity and strength. Sepia as an adjective is defined as - of a reddish brown color. Cybis introduced these tones as a unique palette of color as early as the late 1940's coining the term "Cypia".
While early sculptures appear "brown and white" later pieces added color for eyes, lips and floral accents while maintaining the overall earthen tones as the primary focus.
Most often, Old Coin Gold is found as an accent used to enrich and enhance. This unique process was developed by Cybis where 24k liquid gold was applied to the sculpture and fired. The brilliance is evident. It was not heavily produced and examples today are seldom seen.
Rated as extremely rare are sculptures produced where the figure's exposed skin surface is finished in Old Coin Gold. Far more gold was used. Here Old Coin Gold is a Primary Feature and not just an accent. All exposed skin surfaces are covered in gold as opposed to adding accents to a few areas. These pieces are so unique they are highly prized by serious collectors. Few were produced and by the 1960's the process was seldom used. A resurgence of Old Coin Gold was noted in the 1980's but only in very minimal amounts.